lonnie donegan discography

The word, according to Donegan, was suggested by Ken Colyer's brother Bill, who remembered an outfit called the Dan Burley Skiffle Group, based in Chicago in the '40s. Donegan was suddenly a star, with a public that wanted more music from him. Among the many tens of thousands of British teens he inspired were members of the Beatles, Gerry & the Pacemakers, and the Searchers. While Donegan was racking up hits -- "Bring a Little Water, Sylvie" (number seven), "Don't You Rock Me, Daddy-O" (number four), "Cumberland Gap (number six), and "Does Your Chewing Gum Lose Its Flavor On the Bedpost Overnight?" His ethnic mix was Scottish/Irish. It was during these shows, between sets by the full band, that Donegan would come on-stage with two other players and perform his own version of American blues, country, and folk standards, punched up with his own rhythms and accents, on acoustic guitar or banjo, backed by upright bass and drums. Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. Read Full Biography Overview Biography Frankie and Johnny 5. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. WebListen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. His success at the time saw Donegan sent to the United States, where he appeared on television on both Perry Como Show and Paul Winchell Show. ), BBC Radio, London, April 18, 1955 "Jazz Club", BBC Radio, London, May 9, 1955 "Jazz Club", BBC Radio, London, (In The Evening) When The Sun Goes Down CD8, May 19, 1955 IBC Studios, London ("Backstairs Session"), Harmonica Blues (CB hca) Polygon unissued CD1, January 9, 1956 "Jazz Club", BBC Radio, London, January 11, 1956 IBC Studios, London ("Skiffle Session"), The Ballad Of Jesse James (DB vcl) Nixa NJE1017 CD1, ?? Carter's "Wabash Cannonball." & Feb. 24, 1957) '.webs.com' : 'none'; --> It was through BBC broadcasts around 1946 that Donegan first started learning to play songs like "Frankie and Johnny," "Putting on the Style," and "House of the Rising Sun." Lumbered He was coaxed into his first band one night when someone approached him on the train, saying that they'd heard he was a good banjo player, and invited him to audition for a new group. Lazy John. The only way Donegan had of mastering his instrument was by listening to old records and painstakingly working out the music and a technique, The name stuck. It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. The Federation had brought the two over to England in defiance of a Musicians' Union ban on all foreign performers and needed a non-union band like Donegan's to play support for the two guests. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. With a washboard, a tea-chest bass and a cheap Spanish guitar, Donegan entertained audiences with folk and blues songs by artists such as Leadbelly and Woody Guthrie. WebMore Than "Pye in the Sky" Review. WebLonnie Donegan, MBE (born April 29, 1931, Bridgeton, Glasgow, Lanarkshire, Scotland died November 3, 2002, Market Deeping, Lincolnshire, England) was a Scottish skiffle vocalist, . It was exceptionally popular among England's teenagers, who accounted for most of its sales. But in 1954, before anyone (especially anybody in England) knew what rock & roll was, Donegan was cool, and his music was hot. Donegan went on to make a series of popular records with successes including "Cumberland Gap" and, particularly "Does Your Chewing Gum Lose It's Flavour (On The Bedpost Over Night)", his only hit song in the U.S., released on Dot. More than 100 million titles available in unlimited streaming in high sound quality. He first became interested in the guitar at age nine, but it was to be another five years before he took matters into his own hands and bought his first guitar for 12.50 (about $70 American in those days). Sequel Records has decided to honor Lonnie Donegan with its Lonnie 2000 series, reissuing all of his classic Pye/Nixa sides from 1955 through 1962, and ShowcasePlus is the place to begin. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. © Bruce Eder /TiVo, 198 album(s) 2021. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. (Nevertheless, Donegan received considerable music publishing royalties from "Rock Island" simply by claiming the British copyright on an unregistered song which was considered to be in the Public Domain. Two years later it became a hit in England, and it was re-released in the US, where it shot up to #5 on the charts. Nobody Loves Like An Irishman Cet lment a bien t ajout / retir de vos favoris. WebLonnie Donegan Showcase More images Tracklist Wabash Cannonball How Long, How Long Blues Nobody's Child I Shall Not Be Moved I'm Alabammy Bound I'm A Ramblin' Man - November 2, 2002 (his death, (his third marriage); 3 children), Peterborough, Cambridgeshire, England, UK. [1][2][3] Born in Scotland and brought up in England, Donegan began his career in the British trad jazz revival but transitioned to skiffle in the mid-1950s, rising In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. Aunt Rhody, My Old Man's A Dustman b/w The Golden Vanity, I Wanna Go Home (Wreck Of The John B.) He formed his own group, the Tony Donegan Jazz Band, in 1952. He'd left the Barber band by then -- though Barber continued to play on his records into the middle of the following year -- enticed into a solo career by offers of huge amounts of money to embark on a solo performing career. WebFecha de Nacimiento: 26 de febrero de 1971 Biografa Es una cantante estadounid / Jimmy Brown The Newsboy, My Old Man's a Dustman / The Golden Vanity, I'll Never Fall in Love Again / Keep on the Sunny Side, Pick a Bale of Cotton / Steal Away [with The Kestrels], 20th Anniversary Collection: The Greatest Novelty Records of All-Time. His bluff didn't work but the mix of personalities did, and he was in Barber's first band. Before long, he was working backwards from Josh White to Blind Lemon Jefferson, Bessie Smith, and Leadbelly, among others, and by the end of the '40s, Donegan was as literate in American blues as anyone born in England. The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 Decca (with The Chris Barber Jazz Band) July 13, 1954: London Lonnie Donegan (gtr, voc. 28, 1957) Donegan mostly listened to swing and vocal acts such as Glenn Miller, Tommy Dorsey, the Ink Spots, and the Andrews Sisters during the early '40s, although he also heard some Indian music on the BBC, and African songs as transliterated for movies. He returned to the chart 38 years after his last appearance, guesting with Van Morrison on his I Wanna Go Home single in 2000. Donegan received no encouragement to play an instrument or choose music as a profession, for his father, like many talented musicians during the economic slump of the '30s, was continually out of work. He got something more valuable from it than money, however, for "Rock Island Line" was credited to "The Lonnie Donegan Skiffle Group." ), BBC Radio, London (with Dickie Bishop), Going Down The Road Feeling Bad (DB vcl) LD10, August 2, 1956 IBC Studios, London (Denny Wright, gtr), August 22, 1956 IBC Studios, London ("Lonnie Donegan Showcase"), January 25, 1957 Conway Hall, London ("Donegan On Stage"), Brother Moses Smote The Water unissued CD8, February 2, 1957 "Jazz Saturday", Royal Albert Hall, London, March 25/26, 1957 poss. Donegan proved to be a popular performer in America, playing on bills with Chuck Berry, among others. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. http://www.p.griggsy.btinternet.co.uk/Untitled/Lonnie.html (Memories of Lonnie Donegan by Paul Griggs). Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. 2 (Aug. 22/23, 1956 Darling Corey, Tops With Lonnie ~ 1959 Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. A follow-up album featuring Albert Lee presented Donegan working in a somewhat less familiar country & western vein. His stint in this group was interrupted, however, when he was called up for National Service in 1949. He also played in Ken Colyer's group. He might've continued touring the United States but for the fact he got lonely (his wife and newborn child were brought over), and that "Lost John" had reached number two in England. It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. The three laid down four or five songs while the producer was away, and one of the songs chosen from among those five for the album was "Rock Island Line." Discography Lonnie Donegan Follow Artist + Scottish-born singer and guitarist Me and Bobby McGee 9. Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. His taste in jazz went toward Louis Armstrong and Gene Krupa. Dear Wikiwand AI, let's keep it short by simply answering these key questions. Donegan had 31 UK top 30 hit singles, 24 were successive hits and three were number one. Currie was not only more folk oriented than Wright, but also wrote songs, although Wright would turn up on Donegan sessions as late as 1965. To look at Lonnie Donegan today, in pictures taken 40 years ago when he was topping the British charts and hitting the Top Ten in America, dressed in a suit, his hair cut short and strumming an acoustic guitar, he looks like a musical non-entity. Anthony James Donegan was born in Glasgow, Scotland on April 29, 1931, the son of a classical violinist who had played with the Scottish National Orchestra. Returning to the UK, Donegan recorded his debut album, Lonnie Donegan Showcase, in the summer of 1956, which featured songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". Nick Nicholls - Drums 1956 Donegan passed away November 3, 2002, following heart problems. He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. Inspired by blues music and New Orleans jazz bands he heard on the radio, he resolved to learn the guitar, and bought his first at the age of fourteen. Frankie and Johnny, Lonnie Donegan Hit Parade -- Vol. After his return, he formed a band of his own, which initially consisted of jazz guitarist Denny Wright, Micky Ashman on bass, and Nick Nichols on drums. The record was a hit, racking up sales in the hundreds of thousands. With three Number 1s (Cumberland Gap, Gamblin Man/ Putting On The Style, My Old Mans A Dustman) as well as having hits that peaked at every position in the Top 10. And he did it in 1954, before Elvis was known anywhere outside of Memphis and before Bill Haley was perceived as anything but a Western swing novelty act. BINGO! Can you list the top facts and stats about Lonnie Donegan? Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. Add 1: In the early fifties after Donegan was demobbed from National Service he joined Chris Barber and Ken Colyer and others called Ken Colyer's Jazzmen which consisted of Ken Colyer (trumpet), Chris Barber (trombone), Monty Sunshine (clarinet), Lonnie Donegan (banjo), Jim Bray (bass) Dickie Bishop (Guitar) and Ron Bowden (drums). Donegan was a big fan of Johnson, and took his first name as a tribute to him. Love Is Strange, Lonnie Donegan Hit Parade -- Vol. & Aug. 2, 1956) In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. Pete Korrison - Mandolin 1955 I'm Alabammy Bound Wabash Cannonball Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. The family, which moved to East London in 1933, had no desire to see him go into a dead-end profession. This is a preliminary attempt at a chronological discography. A new version of Last.fm is available, to keep everything running smoothly, please reload the site. Donegan and his band essentially played live in the studio (there was virtually no overdubbing in those days), but the best record of their sound comes from a concert recorded at London's Conway Hall on January 25, 1957, which was later released by Pye. 2016, Folk - Released by Bridge Pa Digital on 28 mei 2019, Pop - Released by Sanctuary Records on 12 dec. 2000, Pop - Released by Castle Communications on 1 jan. 1957, Pop - Released by Retro Music Box on 25 jun. Decca gave up on Donegan soon after, believing that skiffle was a flash-in-the-pan fad. Thanks in advance. Two tracks were omitted from the original recording. Donegan was only paid a few pounds for the recording, and received no royalties. In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. Ace In The Hole unissued LD9. In the late '90s, his musical credibility came around again to perhaps the highest level of respect of his life, with several multi-disc hits and career-wide compilations available. The Ken Colyer Jazzmen, as they were called, specialized in Dixieland jazz, and built a formidable reputation, their shows popular in every club they played. In 1983 Donegan toured England with Billy Joe Spears, and in 1984, he made his theatrical debut in a revival of the 1920 musical Mr. Cinders. Pete Huggett - Bass, Strings 1958 What's more, his music, like that of Presley and Haley, was vital to the early musical careers and future histories of the Beatles, the Stones, and hundreds of other groups. Light From The Lighthouse. The three laid down four or five songs while the producer was away, and one of the songs chosen from among those five for the album was "Rock Island Line." Among those he worked with during this period was future Moody Blues guitarist-singer Justin Hayward. . Suddenly, his manager was getting offers of $1500 a week for concert appearances in cities from Cleveland to New York -- that in a day when $800 was a year's wage in England to people of Donegan's generation. NOTE: He also wrote the song and first released it in 1959, to no success. Lonnie Donegan Hit Parade -- Vol. After his release from the army in 1951, he found a new source of blues and folk music in London, in the library at the American Embassy, which allowed visitors to listen to any recordings that were on hand. Yes Suh Smith&Co SSCD1123 LD9. It was catchy, earthy, even bluesy (after a fashion) American music played in a way that the British kids could master without an enormous amount of trouble -- a guitar or two, and maybe a banjo, an upright bass (or even one made from a washtub or tea chest, a broom handle, and a piece of rope), and a washboard-and-thimble for percussion. http://www.p.griggsy.btinternet.co.uk/Untitled/Lonnie.html, Creative Commons Attribution-ShareAlike License. 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He's relatively little remembered outside of England, but Donegan shares an important professional attribute with Elvis Presley, Bill Haley, the Beatles, the Rolling Stones, and the Sex Pistols -- he invented a style of music, skiffle, that completely altered the pop culture landscape and the youth around him, and for a time, completely ruled popular music through that new form. By the spring of 1955, he was signed to Pye Records, and his single, "Lost John," hit number two in England, although it never hit in America. Albums include Lonnie Donegan Showcase, Rock Island Line / John Henry, and The Skiffle Sessions: Live in Belfast. Donegan was only paid a few pounds for the recording, and received no royalties. b/w Jimmie Brown The Newsboy, Lively b/w Black Cat (Cross My Path Today), (Bury Me) Beneath The Willow b/w Leave My Woman Alone, I'll Never Fall In Love Again b/w Keep On The Sunny Side, Beans In My Ears b/w It's A Long Road To Travel, World Cup Willie b/w Where In This World Are We Going, My Lovely Juanita b/w Who Knows Where The Time Goes. The Chris Barber Jazz Band, as they became known, were popular enough to justify the recording of an album for Britain's Decca Records label. WebLonnie Donegan discography and songs: Music profile for Lonnie Donegan, born 29 April 1931. The album, New Orleans Joy, featured songs representative of the group's live set, including a selection from Donegan's skiffle repertory -- the skiffle group, consisting of Donegan, Barber on bass, and their friend Beryl Bryden playing rhythm on washboard, recorded its vocal numbers only after arguing vociferously with the Decca producer, who wanted an instrumental number. Chris Barber - Bass, Vocals In concert, the group's sound was fuller still, with Donegan and Wright sharing guitar chores with bearded, bespectacled Dick Bishop, who had played on Donegan's earliest records. 2023 XANDRIE SA - 45 rue de Delizy, 93692 Pantin CEDEX, France. He began playing guitar around London, and going to the small jazz clubs springing up around the city. Barber had heard that Donegan was a good banjo player; in fact, Donegan had never played the banjo at this point, but he bought one and managed to bluff his way through the audition. WebLonnie Donegan's Skiffle Group Backstairs Session A1: Midnight Special A2: New Burying Ground B1: It Takes A Worried Man B2: When The Sun Goes Down: Metronome Denmark: He continued to record sporadically during the '60s, including some sessions at Hickory Records in Nashville with Charlie McCoy, Floyd Cramer, and the Jordanaires, but after 1964, he was primarily occupied as a producer for most of the decade at Pye Records. Listen to Lonnie Donegan in unlimited on Qobuz and buy the albums in Hi-Res 24-Bit for an unequalled sound quality. Unlike a lot of American rock & roll of the mid-'50s, and even more British attempts at the music from the same period and after, Donegan's music remains eminently enjoyable and enlivening. 2020, Rock - Released by Castle Communications on 1 sep. 2016, Folk - Released by Before 1962 Recordings on 17 sep. 2020, Rock - Released by Vantage Music on 4 okt. WebLonnie made his chart debut in January 1956 with Rock Island Line. He was successful enough, however, to be brought over to America to appear on the Perry Como Show, followed by an appearance on the Paul Winchell Show. Donegan passed away November 3, 2002, following heart problems. He appeared on television in the United States on the Perry Como Show and the Paul Winchell Show. Returning to the UK, he recorded his debut album, Lonnie Donegan Showcase, in summer 1956, with songs by Lead Belly and Leroy Carr, plus "I'm a Ramblin' Man" and "Wabash Cannonball". The LP sold hundreds of thousands. Qobuz is also the leader in worldwide download in Hi-Res 24-Bit. Still later, Jimmy Currie, a veteran of Tony Crombie's Rockets (the first home-grown rock & roll band in England, patterned loosely after Bill Haley's Comets) became Donegan's lead guitarist in what is regarded as his strongest band. It seemed to fit, and it caught on; the Ken Colyer Jazzmen became almost as popular for Donegan's between-set skiffle songs as they were for their Dixieland music. Donegan was a pivotal figure in the British Invasion due to his influence in the US in the late 1950s. WebLonnie Donegan Discography 1954 - 1961 Adapted from 'The Skiffle Craze' by Mike Dewe ~ Planet Books www.hillmanweb.com/rock/donegan/02.html New Orleans Joys - 1954 The record was a hit, racking up sales in the hundreds of thousands. In six months, "Rock Island Line" sold three million copies, 50 times the initial sales of the album it came from, an extraordinary figure in anyone's accounting. Flavour (On The Bedpost Overnight)? My Dixie Darling How Long How Long Blues Donegan and his band eventually hooked back up with his old friend Chris Barber, who'd kept his band going throughout the previous two years, and eventually Barber and Donegan linked up with fellow jazzman Ken Colyer, into a kind of supergroup led by Colyer. The Chris Barber Jazz Band had not played before 60,000 people in their whole history, and a phenomenon was obviously afoot. 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